Global Mosaic Foundation emblem

Global Mosaic Foundation

An international theatrical production institution.

We identify what the field has overlooked.

We build what the artist cannot build alone.

We bring it to the stage.

GMF PROVIDES THE MACHINESCROLLTHE ARTIST PROVIDES THE WORK
The machine · five fixed capacities

The obstacle is not merit.It is infrastructure.GMF provides the infrastructure.

The most important work being made in the world right now is being made in places the producing industry has not yet turned to look. GMF turns to look. Then we build the stage.

Global Mosaic Foundation is an international theatrical production institution. It exists because the producing industry’s field of vision is too narrow. Work of extraordinary merit is being made outside the major capitals, outside the established networks, outside the funding structures that determine what reaches the stage. GMF is the institution that finds theatre of that calibre, funds it, and produces it at the level it deserves.

“The machine” is the apparatus a production actually needs. GMF holds all five parts of it in-house, which is why a work can come in with nothing but merit and still reach a stage.

  • Judgment

    Discovery, selection, dramaturgy and development. We decide what deserves the whole apparatus.

  • Producing

    Finance, rights, contracting and casting. The conditions a work needs, assembled around it.

  • Making

    Direction, design, rehearsal and technical realisation. The work made at its full intended scale.

  • Reach

    Venues, touring, transfers and partnerships. The distance a work is carried without being diluted.

  • Memory

    Publishing, documentation, archive and canon. What remains once the room goes dark.

Working internationally, across five continents.

A single figure seated at the centre of a vast burnished amphitheatre, shafts of light falling through haze from a great elliptical ring overhead onto a mirrored floor.
GMF
Curatorial producing programme

Fragments of Brilliance

Fragments of Brilliance is GMF’s producing programme for playwrights and theatre-makers whose work is of exceptional merit and cannot secure funding, production infrastructure, or institutional support through any other route.

It is not an incubator.

It is not a grant.

It is a producing partnership with an institution.

A producing route. Each project keeps its own artistic world; GMF builds the infrastructure around it.

Submissions open
Next Door — key art: two neighbours on either side of a wall, one in pink, one in a leather jacket.

FOB·01

Next Door

A Six Feet Apart Musical

So close and so far, at the same place.

Two strangers sharing a New York flat are forced into a sudden, unforeseen stasis after a global event turns their world upside down. Originally a celebrated micromusical in Miami and Madrid, expanded into a full-length production through showcases at NYC’s Chelsea Factory and Repertorio Español.

Book, Music & Lyrics by Paloma de Vega

The production
An Elephant in the Room — key art: two snakes coiling toward outstretched hands.

FOB·02

An Elephant in the Room

A play

All entrances are closed…

An award-winning play, supported through GMF’s Fragments of Brilliance.

Written by Roberto Thomas-Díaz

The production
EMMA: The Graphic Novel — cover artwork.

FOB·03

EMMA

The Graphic Novel

Vanity working on a weak head produces every sort of mischief.

GMF supports Duniath Comics’ graphic-novel adaptation of Jane Austen’s Emma, created in celebration of the 210th anniversary of Austen’s wittiest classic.

by Georgie Castilla · based on the novel by Jane Austen

The production
SEAGULL — announcement artwork: a black gas mask with red lenses on a pale grey ground, above the title SEAGULL, after Chekhov by Derek Wilson.

FOB·04

SEAGULL

After Chekhov

Everyone here loves so strongly in the wrong direction.

Derek Wilson’s adaptation of Chekhov, co-produced with Brindle Dog Theatre Company and working toward a New York presentation. A production designed to be lived in rather than watched: no stage lighting, no recorded sound, everything made in the room by the actors.

Adapted by Derek Wilson · with Brindle Dog Theatre Company

The production

MAIN STAGE SEASON

Aesthetic
of Awe

Four works about what remains when suffering can no longer make us innocent. Across mythic fable, intimate contemporary drama and a work remade in dialogue with each place, Aesthetic of Awe moves from self-protective mythology to costly responsibility.

Awe begins where consolation ends.

  1. IThe Story Of SimpleMain Stage
  2. IIOrlin’s HuntThe Innerwild Fables
  3. IIIEcho’s SoulThe Innerwild Fables
  4. IVThe Living CanonMain Stage
Aesthetic of Awe season announcement: two tall mirrored panels standing on a dark stage under a single beam, one reflecting the light, the other showing its bare timber frame. The title reads Aesthetic of Awe, above the line Awe begins where consolation ends.
The Story Of Simple key art: translucent dirty-bone planes standing in black space, the title crossing their seams and changing alignment as it goes.

I

The Story Of Simple

a play by Adam Kay

Everyone in the room is telling the truth. The truths do not agree.

After three months in an acute psychiatric unit, Eli is ready to leave. In one room, four people tell the truth — and discover that truth alone cannot decide what any of them owes.

In development · dates to be announced

Orlin’s Hunt — key art: a gilt roundel on a tapestry ground, a young man seated beside a unicorn in a night forest.

IIThe Innerwild Fables

Orlin’s Hunt

Written by Georgie Castilla

Perhaps true liberation lies in embracing the memories that haunt us.

In a desperate wish to erase his cruel past, a young man named Orlin turns to a forest witch for help. She promises him a Potion of Oblivion — but its creation demands a rare and terrible ingredient: the golden horn of a unicorn, ground to dust. Deep within the Murmuring Forest, Orlin’s hunt becomes a reckoning.

In development · coming soon

Echo’s Soul — key art: a gilt roundel on a tapestry ground, two figures in a boat above a dark sea creature.

IIIThe Innerwild Fables

Echo’s Soul

Written by Georgie Castilla

How far would your soul travel to save you from yourself?

When a humble fisherman named Echo falls in love with the beautiful son of the Sea-folk King, he casts his own Soul away in order to join his beloved at the bottom of the sea. Sent forth into a cold and merciless world, unguarded by the heart, the Soul begins a perilous journey to find its way home before it is too late.

In development · coming soon

The Living Canon — a theatre auditorium hung with filament lights, the house waiting.

IV

The Living Canon

A work in dialogue with each place

A work drawn in dialogue with the theatrical heritage of each place we inhabit.

A place-responsive fourth work drawn from the theatrical heritage of each place the company inhabits. It prevents the season’s argument from hardening into a universal answer, allowing local tradition, history and voice to alter the repertory that arrives.

Enters the repertory in response to place

The Innerwild Fables is a series of dark fairytales for grown-ups by Georgie Castilla, set within a shared mythic universe that explores the inner wilderness of the Self through symbol and embodied metaphor. Each standalone play examines fractures, reckonings, and acts of self-recognition that shape who we become.

For artists · not productions

Programmes

Forge

Creative Development

An intensive, CEO-led dramaturgical development programme, commissioned and paid for by the playwright. It subjects a play to the interrogation, reconstruction and practical testing required for major-stage production. Forge is not a workshop and not a feedback session.

Led personally by Adam Kay, Artistic Director & Chief Executive.

  1. 01Thematic & philosophical interrogation
  2. 02The dramatic question
  3. 03Structure, plot & character
  4. 04Scene-level writing
  5. 05Draft & redraft
  6. 06Delivery

Playwrights · Paid · by application

Creative Development

Atelier

Publicity & Design

GMF’s design and publicity programme — the identity, image and printed record that carry a production into the world.

Developed alongside the production, not bolted on after it.

  1. 01Brief & interrogation
  2. 02Identity & campaign artwork
  3. 03Delivery & press material

The public-facing life of the work · In-house · commissioned

Publicity & Design

Support the work

The work cannot wait. Neither can your support.

GMF produces work that the major producing houses have not yet found — or chosen to take the risk on. Your support funds that risk. It funds the production of theatre that belongs on the world’s stages and will be there.

A performer stands with a birdcage over her head beside a giant weeping eye, amid a sea of open books.

Imagination is going blind. You can help.

  • USD 30Keep the ghost light on
  • USD 100Fund a Fragment of Brilliance application
  • USD 500Carry a production to its stage
  • $1,000 or moreFoundation Patron
Donate

Patrons · Trusts · Partnerships